Edwin Dikinson
The Figurative Tradition in Recent American Art: Edwin Dickinson
XXXIV International Biennial Exhibition of Art, Venice, Italy, The Figurative Tradition in Recent American Art: Edwin Dickinson, June 22–October 20, 1968.
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Traveled to:
- National Collection of Fine Arts, Washington, December 19, 1968–February 2, 1969.
- Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, March 17, 1969.
- National Collection of Fine Arts, Washington, December 19, 1968–February 2, 1969.
- Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, March 17, 1969.
An Anniversary, 1920–21 (102)
The Cello Player, 1924–26 (128)
Girl on Tennis Court, 1926 (148)
Woodland Scene, 1929–35 (181)
Cottage Porch, Peaked Hill, 1932 (203)
Shiloh, 1932–33 (208)
Stranded Brig, 1934 (219)
Rock of Port Issol, West Side, 1938 (279)
Villa Marie Jeanne, 1938 (293)
Slanting Apple Tree, 1938 (311)
Nude, Rita, 1939 (323)
Cottage Porch in Reflection, 1940 (367)
Constant, 1940–1941 & 1944 (387)
Ruin at Daphne, 1943–53 (459)
Self Portrait, 1949 (512)
Rock, Cape Poge, 1950 (520)
Paris Windows, 1952 (528)
Carrousel Bridge, 1952 (531)
Window and Oar, 1955 (545)
South Wellfleet Inn, 1955–60 (550)
Interior, 1916 (65)
The Flag, Frazier's House, 1947 (501), as "The Flag at Frazier's House"
Nude Prone on Side, 1939 (321), shown in Washington, DC, and Lincoln, NE
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Selected exhibition | Decade: 1960–69 | Venue: XXXIV International Biennial Exhibition of Art | Country: Italy