Edwin Dikinson
Realism and Abstraction: Counterpoints in American Drawings, 1900-1940
Hirschl & Adler Galleries, New York, N.Y., Realism and Abstraction: Counterpoints in American Drawings, 1900-1940, November 12–December 30, 1983.
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Nude, Breast and Shoulder, 1964 (1139)

The Cello Player, 1924–26 (128)

X Cliff, 1926 (141)

Cliffs, Long Nook, 1927 (151)

Screen Door, Provincetown, 1912 (16)

Frances Foley, Second Portrait, 1928 (161)

Nude with Blue Drapery, 1928 (163)

Cottage Porch, Peaked Hill, 1932 (203)

Frances Dickinson at Peaked Hill, 1932 (207)

Provincetown Harbor, II, 1933 (209)

O'Neil's Wharf, 1913 (21)

Torso Section, Bruce, 1933 (213)

Locust Woods & Grass, Truro, 1934 (220)

Bound Brook House, 1935 (235)

Laboratory Beach, 1935 (237)

Country Club Park, 1937 (246)

Vase, 1937 (258)

Frances Blaser, Purple Bodice, 1937 (261)

Theater at Arles, 1937 (265)

Self Portrait in Fur Cap, 1914 (27)

Pine Tops, 1938 (288)

Figures on a Balcony, 1914 (29)

Villa Marie Jeanne, 1938 (293)

Apple Trees and Small Poplars, 1938 (301)

Orchard, 1938 (306)

Lancieux, Rocks, Weeds & Water, 1938 (316)

Cows, 1938 (317)

Still Life with Flowers, 1938 (318)

Dune, South Wellfleet Beach, 1940 (359)

Stone Tower, 1940 (363)

Cottage Porch in Reflection, 1940 (367)

Winter Woods, Wellfleet II, 1940 (378)

Martha, 1940 (380)

Constant, 1940–1941 & 1944 (387)

Dormer Window, Brewster, 1941 (405)

Marconi Ruin, 1941 (421)

Self Portrait in Uniform, 1942 (429)

Evangeline, 1942 (430)

Martha, 1942 (431)

Self Portrait, Head Only, 1943 (450)

J. R. Frazier's House at Wellfleet, 1945 (477)

Shirley, 1945 (478)

Constant with White Hat, 1945 (479)

Indian Neck Point, 1946 (489)

Approaching Storm, Wellfleeet Harbor, 1946 (493)

Through Two Cottage Windows, 1948 (507)

Cottage Point, Sheldrake, 1948 (508)

Maymee Noons in Moffett's Studio, 1915 (52)

Rock Edge, Palisades, 1953 (540)

Window and Oar, 1955 (545)

The Rival Beauties, 1915 (55)

Brass Pot and Candle, 1916 (67)

Boy, Provincetown, One Button Off, 1916 (68)

Life Study, Provincetown, 1925 (784)

Inland Lake, 1919 (95)

Pink Rocks, Coast, La Cride, 1938 (270), as "Coast, Le Cride"

Gonzalez Studio, 1950 (522), as "Gonzales Studio"

Sand Cars at the Y, 1927 (811), as "Sand Cars at Troy"

Studio, 46 Pearl Street, Provincetown, 1923–24 (114), as "Studio, 46 Pearl St."

Studio, 46 Pearl Street, 1926 (802), as "Studio, 46 Pearl St."

Wood Interior, Sheldrake, 1926 (145), as "The Glen"

To Caro, 1927 (808), as "to Caro, July 28, 1927"

Wellfleet Beach, Indian Neck, 1940 (358), as "Wellfleet Beach"

Woods, Cove Road, 1945 (476), as "Wellfleet Yard"

Back of Harry Campbell's Shop, c.1914 (41), dated 1924

Marcia, 1935 (240), dated 1933-35
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Selected exhibition | Decade: 1980–89 | Venue: Hirschl & Adler Galleries | State: New York