Realism and Abstraction: Counterpoints in American Drawings, 1900-1940
, New York, N.Y., Realism and Abstraction: Counterpoints in American Drawings, 1900-1940, November 12–December 30, 1983.
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X Cliff, 1926
(141)24 x 20 in. (61 x 50.8 cm)
Vase, 1937
(258)17 x 22 in. (43.2 x 55.9 cm)
Pine Tops, 1938
(288)23 x 28 in. (58.4 x 71.1 cm)
Orchard, 1938
(306)23 1/2 x 28 1/2 in. (59.7 x 72.4 cm)
Cows, 1938
(317)23 x 28 in. (58.4 x 71.1 cm)
Martha, 1940
(380)25 x 30 in. (63.5 x 76.2 cm)
Constant, 1940–1941 & 1944
(387)24 x 29 in. (61 x 73.7 cm)
Evangeline, 1942
(430)20 x 23 in. (50.8 x 58.4 cm)
Martha, 1942
(431)20 x 23 in. (50.8 x 58.4 cm)
Shirley, 1945
(478)16 x 13 7/8 in. (40.6 x 35.2 cm)
Gonzalez Studio, 1950
(522), as "Gonzales Studio"
12 x 16 in. (30.5 x 40.6 cm)
To Caro, 1927
(808), as "to Caro, July 28, 1927"
10 x 8 in. (25.4 x 20.3 cm)
Woods, Cove Road, 1945
(476), as "Wellfleet Yard"
16 x 19 7/8 in. (40.6 x 50.5 cm)
Marcia, 1935
(240), dated 1933-35
22 x 17 1/2 in. (55.9 x 44.4 cm)