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Realism and Abstraction: Counterpoints in American Drawings, 1900-1940

Hirschl & Adler Galleries, New York, N.Y., Realism and Abstraction: Counterpoints in American Drawings, 1900-1940, November 12–December 30, 1983.
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scale:
= 10 in. / 25.5 cm
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Nude, Breast and Shoulder, 1964 (1139)
9 3/4 x 11 3/8 in. (24.8 x 28.9 cm)
The Cello Player, 1924–26 (128)
60 x 48 1/2 in. (152.4 x 123.2 cm)
X Cliff, 1926 (141)
24 x 20 in. (61 x 50.8 cm)
Cliffs, Long Nook, 1927 (151)
20 x 24 in. (50.8 x 61 cm)
Screen Door, Provincetown, 1912 (16)
23 x 24 in. (58.4 x 61 cm)
Frances Foley, Second Portrait, 1928 (161)
36 x 30 in. (91.4 x 76.2 cm)
Nude with Blue Drapery, 1928 (163)
18 x 19 1/2 in. (45.7 x 49.5 cm)
Cottage Porch, Peaked Hill, 1932 (203)
26 1/8 x 30 1/8 in. (66.4 x 76.5 cm)
Frances Dickinson at Peaked Hill, 1932 (207)
26 x 30 in. (66 x 76.2 cm)
Provincetown Harbor, II, 1933 (209)
14 x 14 in. (35.6 x 35.6 cm)
O'Neil's Wharf, 1913 (21)
12 x 16 in. (30.5 x 40.6 cm)
Torso Section, Bruce, 1933 (213)
16 x 13 1/2 in. (40.6 x 34.3 cm)
Locust Woods & Grass, Truro, 1934 (220)
26 x 30 1/4 in. (66 x 76.8 cm)
Bound Brook House, 1935 (235)
19 1/2 x 8 in. (49.5 x 20.3 cm)
Laboratory Beach, 1935 (237)
30 x 36 in. (76.2 x 91.4 cm)
Country Club Park, 1937 (246)
16 x 20 in. (40.6 x 50.8 cm)
Vase, 1937 (258)
17 x 22 in. (43.2 x 55.9 cm)
Frances Blaser, Purple Bodice, 1937 (261)
30 x 25 in. (76.2 x 63.5 cm)
Theater at Arles, 1937 (265)
21 1/8 x 18 in. (53.7 x 45.7 cm)
Self Portrait in Fur Cap, 1914 (27)
22 1/8 x 20 1/8 in. (56.2 x 51.1 cm)
Pine Tops, 1938 (288)
23 x 28 in. (58.4 x 71.1 cm)
Figures on a Balcony, 1914 (29)
42 x 31 3/4 in. (106.7 x 80.6 cm)
Villa Marie Jeanne, 1938 (293)
23 3/4 x 28 3/4 in. (60.3 x 73 cm)
Apple Trees and Small Poplars, 1938 (301)
23 1/2 x 28 1/2 in. (59.7 x 72.4 cm)
Orchard, 1938 (306)
23 1/2 x 28 1/2 in. (59.7 x 72.4 cm)
Lancieux, Rocks, Weeds & Water, 1938 (316)
23 1/2 x 28 1/2 in. (59.7 x 72.4 cm)
Cows, 1938 (317)
23 x 28 in. (58.4 x 71.1 cm)
Still Life with Flowers, 1938 (318)
32 x 28 in. (81.3 x 71.1 cm)
Dune, South Wellfleet Beach, 1940 (359)
19 7/8 x 22 1/8 in. (50.5 x 56.2 cm)
Stone Tower, 1940 (363)
40 x 50 in. (101.6 x 127 cm)
Cottage Porch in Reflection, 1940 (367)
14 3/4 x 20 1/4 in. (37.5 x 51.4 cm)
Winter Woods, Wellfleet II, 1940 (378)
15 1/8 x 19 in. (38.4 x 48.3 cm)
Martha, 1940 (380)
25 x 30 in. (63.5 x 76.2 cm)
Constant, 1940–1941 & 1944 (387)
24 x 29 in. (61 x 73.7 cm)
Dormer Window, Brewster, 1941 (405)
20 1/8 x 16 1/4 in. (51.1 x 41.3 cm)
Marconi Ruin, 1941 (421)
15 7/8 x 21 in. (40.3 x 53.3 cm)
Self Portrait in Uniform, 1942 (429)
24 1/8 x 29 1/8 in. (61.3 x 74 cm)
Evangeline, 1942 (430)
20 x 23 in. (50.8 x 58.4 cm)
Martha, 1942 (431)
20 x 23 in. (50.8 x 58.4 cm)
Self Portrait, Head Only, 1943 (450)
11 1/2 x 8 3/4 in. (29.2 x 22.2 cm)
J. R. Frazier's House at Wellfleet, 1945 (477)
16 x 20 in. (40.6 x 50.8 cm)
Shirley, 1945 (478)
16 x 13 7/8 in. (40.6 x 35.2 cm)
Constant with White Hat, 1945 (479)
20 1/8 x 16 in. (51.1 x 40.6 cm)
Indian Neck Point, 1946 (489)
10 1/4 x 12 in. (26 x 30.5 cm)
Approaching Storm, Wellfleeet Harbor, 1946 (493)
10 x 12 in. (25.4 x 30.5 cm)
Through Two Cottage Windows, 1948 (507)
9 3/4 x 11 1/2 in. (24.8 x 29.2 cm)
Cottage Point, Sheldrake, 1948 (508)
10 3/8 x 12 in. (26.4 x 30.5 cm)
Maymee Noons in Moffett's Studio, 1915 (52)
41 1/2 x 31 1/4 in. (105.4 x 79.4 cm)
Rock Edge, Palisades, 1953 (540)
19 3/4 x 22 7/8 in. (50.2 x 58.1 cm)
Window and Oar, 1955 (545)
12 x 18 in. (30.5 x 45.7 cm)
The Rival Beauties, 1915 (55)
46 x 38 in. (116.8 x 96.5 cm)
Brass Pot and Candle, 1916 (67)
25 x 25 in. (63.5 x 63.5 cm)
Boy, Provincetown, One Button Off, 1916 (68)
24 x 22 in. (61 x 55.9 cm)
Life Study, Provincetown, 1925 (784)
13 x 14 3/4 in. (33 x 37.5 cm)
Inland Lake, 1919 (95)
40 x 40 in. (101.6 x 101.6 cm)
Pink Rocks, Coast, La Cride, 1938 (270), as "Coast, Le Cride"
28 3/4 x 36 1/4 in. (73 x 92.1 cm)
Gonzalez Studio, 1950 (522), as "Gonzales Studio"
12 x 16 in. (30.5 x 40.6 cm)
Sand Cars at the Y, 1927 (811), as "Sand Cars at Troy"
7 1/2 x 9 1/2 in. (19 x 24.1 cm)
Studio, 46 Pearl Street, Provincetown, 1923–24 (114), as "Studio, 46 Pearl St."
30 x 25 in. (76.2 x 63.5 cm)
Studio, 46 Pearl Street, 1926 (802), as "Studio, 46 Pearl St."
19 x 13 in. (48.3 x 33 cm)
Wood Interior, Sheldrake, 1926 (145), as "The Glen"
24 x 20 in. (61 x 50.8 cm)
To Caro, 1927 (808), as "to Caro, July 28, 1927"
10 x 8 in. (25.4 x 20.3 cm)
Wellfleet Beach, Indian Neck, 1940 (358), as "Wellfleet Beach"
23 1/4 x 31 1/4 in. (59.1 x 79.4 cm)
Woods, Cove Road, 1945 (476), as "Wellfleet Yard"
16 x 19 7/8 in. (40.6 x 50.5 cm)
Back of Harry Campbell's Shop, c.1914 (41), dated 1924
14 3/4 x 18 in. (37.5 x 45.7 cm)
Marcia, 1935 (240), dated 1933-35
22 x 17 1/2 in. (55.9 x 44.4 cm)